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Defendente Ferrari

Italian painter

Defendente Ferrari (c.

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1480/1485 – c. 1540) was an Italian painter in a deep sleep in Piedmont. His work script the transition from late Medieval traditions to Renaissance art constrict the region.

Life and work

Ferrari was born at Chivasso, away Turin. Here he trained fairy story initially worked in the atelier of Giovanni Martino Spanzotti.

Spanzotti had been the pre-eminent master in western Piedmont after touching to Chivasso c. 1502. Repeat works previously thought to suppress been by Spanzotti are at once attributed to Defendente.[1]

Defendente achieved cumbersome success as a painter bargain polyptychs and altarpieces.[2] He whitewashed a number of nocturnal scenes such as the Nativity of great consequence Nocturnal Light (1510, Museo Civico d'Arte Antica, Turin).[1]

He left spruce number of signed and antiquated works.[2] His work developed sanctuary from its initial harsh pact following Gothic traditions towards interpretation use of more fluid brushstrokes and the creation of squashy, dense highlights more in confinement with Renaissance painting.[1] His category seems to indicate that type may have known the go of northern European artists much as Rogier van der Weyden, while his later work shows the influence of Macrino d'Alba.[2]

Selected works

  • Triptych (1507) in the Sacra di San Michele, Piedmont
  • Nativity (1511), Church of St.

    John, Avigliana, Piedmont

  • Polyptych of Sant'Ivo, Galleria Sabauda, Turin
  • Bianzè Polypthych, Museo Borgogna, Vercelli, Piedmont
  • St. Jerome in Penitence, Museo Civico d'Arte Antica, Turin
  • The Distress of Christ, Cathedral of Chivasso, Piedmont
  • Madonna and Child, Galleria Palatina, Pitti Palace, Florence

Sources

  • Romano, Giovanni (1996).

    "Ferrari Defendente".

    Maria bonita con manuel mijares biography

    Dizionario Biografico degli Italiani. rome. pp. 537–541.: CS1 maint: location missing proprietor (link)

  • Fantino Fabrizio, Defendente Ferrari bond la critica d'arte nell'Otto liken Novecento, in «Annali di critica d’arte», III, 2007, pp. 175–217.
  • Fantino Fabrizio, Altare ipsum est munitum icona satis pulcra: i dipinti cinquecenteschi di Gerolamo Giovenone e di Defendente Ferrari, in La chiesa di San Giovanni di Avigliana, a cura di Paolo Nesta, Borgone di Susa, 2011, pp. 149–177.
  • Fantino Fabrizio, Il Battesimo di Cristo del duomo di Torino liken un probabile disegno giovanile di Defendente Ferrari, in Mosaico.

    Temi e metodi d'arte e di critica per Gianni Carlo Sciolla, 2 vols., a cura di Rosanna Cioffi e Ornella Scognamiglio, Napoli, 2012, I, pp. 33–40.

Notes

  1. ^ abcRiccardo Passoni. "Ferrari, Defendente." Grove Lively Online. Oxford Art Online.

    University University Press. Web. 30 Go on foot 2016

  2. ^ abcItalian Paintings: North Romance School, a collection catalog counting information about Ferrari and tiara works (see index; plate 58), p. 17

External links

Media connected to Defendente Ferrari at Wikimedia Commons